Mooer ge250 инструкция на русском

  • *70 high-quality AMP models that utilize MOOER’s non-liner amp modelling technology from the MICRO PREAMP series. Supports loading extra amp models via editing software.
    *TONE CAPTURE function allows you to sample and capture your real-life amplifier to create brand new digital amp models.
    *32 IR-based factory speaker cab models to emulate the same dynamics and feel of a real tube amp.
    * 10 user slots to load in your favorite third-party IR files (2048 sample points).
    *11 different effects blocks with over 180 high-quality effects that cover all the bases from your favorite stompboxes and plugins to studio rack units.
    *Programmable FX LOOP with optional signal chain routing for easy integration of your favorite effects and ultimate flexibility for 4-cable method and amp setups.
    *Stereo outputs (unbalanced 1/4” and balanced XLR)
    * MIDI function can automatically match the signal source. Supports MIDI IN or MIDI OUT as set by the user.
    * Comprehensive INPUT/OUTPUT flexibility for studio recording or live performance.
    * Direct, low-latency USB audio lets GE250 double up as a digital audio interface and the included editing software makes it a “one-stop-shop” for recording guitar.

  • Types of Effect

     

    11

             

    Effects:

     

    Over 180

           

    Presets:

     

    255

             

    Input:

     

    1×1/4” mono jack.  Impedance: 1 MΩ

     

    Output:

     

    2×1/4” mono jack,impedance: 600 Ω

     
     

                                           2xXLR output,impedance: 600 Ω

         

    AUX IN:

     

    1×1/8” stereo jack,impedance: 10 KΩ

     

    HEADPHONE:

     

    1×1/8” stereo jack,impedance: 24 Ω

     

    EXP2:

     

    1×1/4” TRS jack,for 10k~100k impedance expression pedal

     

    SEND:

     

    1×1/4” mono jack,impedance: 600 Ω

       

    RETURN:

     

    1×1/4” mono jack,impedance:1 MΩ

       

    MIDI:

     

    5pin MIDI female port

           

    USB:

     

    1xUSB TYPE-B port

    Sampling rate:

     

    44.1kHz

             

    Sampling accuracy:

     

    24bit

             

    Dynamic:

     

    100 dB

             

    Impulse Response

                 
    Format:

                                           .wav

             
    Sampling rate:

                                           44.1kHz

     
    Sampling accuracy:

    24bit

     

    Sampling point:

    2048pts

             

    Power Supply:

     

    9v 1A. Please use the original power supply.

    Dimension:

     

    324mmX162mmX60mm

         

    Weight:

     

    1.7kg

             

    Accessories:

     

    USB cable,power supply,quick guide

       
  • *70 high-quality AMP models that utilize MOOER’s non-liner amp modelling technology from the MICRO PREAMP series. Supports loading extra amp models via editing software.
    *TONE CAPTURE function allows you to sample and capture your real-life amplifier to create brand new digital amp models.
    *32 IR-based factory speaker cab models to emulate the same dynamics and feel of a real tube amp.
    * 10 user slots to load in your favorite third-party IR files (2048 sample points).
    *11 different effects blocks with over 180 high-quality effects that cover all the bases from your favorite stompboxes and plugins to studio rack units.
    *Programmable FX LOOP with optional signal chain routing for easy integration of your favorite effects and ultimate flexibility for 4-cable method and amp setups.
    *Stereo outputs (unbalanced 1/4” and balanced XLR)
    * MIDI function can automatically match the signal source. Supports MIDI IN or MIDI OUT as set by the user.
    * Comprehensive INPUT/OUTPUT flexibility for studio recording or live performance.
    * Direct, low-latency USB audio lets GE250 double up as a digital audio interface and the included editing software makes it a “one-stop-shop” for recording guitar.

  • Types of Effect

     

    11

             

    Effects:

     

    Over 180

           

    Presets:

     

    255

             

    Input:

     

    1×1/4” mono jack.  Impedance: 1 MΩ

     

    Output:

     

    2×1/4” mono jack,impedance: 600 Ω

     
     

                                           2xXLR output,impedance: 600 Ω

         

    AUX IN:

     

    1×1/8” stereo jack,impedance: 10 KΩ

     

    HEADPHONE:

     

    1×1/8” stereo jack,impedance: 24 Ω

     

    EXP2:

     

    1×1/4” TRS jack,for 10k~100k impedance expression pedal

     

    SEND:

     

    1×1/4” mono jack,impedance: 600 Ω

       

    RETURN:

     

    1×1/4” mono jack,impedance:1 MΩ

       

    MIDI:

     

    5pin MIDI female port

           

    USB:

     

    1xUSB TYPE-B port

    Sampling rate:

     

    44.1kHz

             

    Sampling accuracy:

     

    24bit

             

    Dynamic:

     

    100 dB

             

    Impulse Response

                 
    Format:

                                           .wav

             
    Sampling rate:

                                           44.1kHz

     
    Sampling accuracy:

    24bit

     

    Sampling point:

    2048pts

             

    Power Supply:

     

    9v 1A. Please use the original power supply.

    Dimension:

     

    324mmX162mmX60mm

         

    Weight:

     

    1.7kg

             

    Accessories:

     

    USB cable,power supply,quick guide

       
  • *70 high-quality AMP models that utilize MOOER’s non-liner amp modelling technology from the MICRO PREAMP series. Supports loading extra amp models via editing software.
    *TONE CAPTURE function allows you to sample and capture your real-life amplifier to create brand new digital amp models.
    *32 IR-based factory speaker cab models to emulate the same dynamics and feel of a real tube amp.
    * 10 user slots to load in your favorite third-party IR files (2048 sample points).
    *11 different effects blocks with over 180 high-quality effects that cover all the bases from your favorite stompboxes and plugins to studio rack units.
    *Programmable FX LOOP with optional signal chain routing for easy integration of your favorite effects and ultimate flexibility for 4-cable method and amp setups.
    *Stereo outputs (unbalanced 1/4” and balanced XLR)
    * MIDI function can automatically match the signal source. Supports MIDI IN or MIDI OUT as set by the user.
    * Comprehensive INPUT/OUTPUT flexibility for studio recording or live performance.
    * Direct, low-latency USB audio lets GE250 double up as a digital audio interface and the included editing software makes it a “one-stop-shop” for recording guitar.

  • Types of Effect

     

    11

             

    Effects:

     

    Over 180

           

    Presets:

     

    255

             

    Input:

     

    1×1/4” mono jack.  Impedance: 1 MΩ

     

    Output:

     

    2×1/4” mono jack,impedance: 600 Ω

     
     

                                           2xXLR output,impedance: 600 Ω

         

    AUX IN:

     

    1×1/8” stereo jack,impedance: 10 KΩ

     

    HEADPHONE:

     

    1×1/8” stereo jack,impedance: 24 Ω

     

    EXP2:

     

    1×1/4” TRS jack,for 10k~100k impedance expression pedal

     

    SEND:

     

    1×1/4” mono jack,impedance: 600 Ω

       

    RETURN:

     

    1×1/4” mono jack,impedance:1 MΩ

       

    MIDI:

     

    5pin MIDI female port

           

    USB:

     

    1xUSB TYPE-B port

    Sampling rate:

     

    44.1kHz

             

    Sampling accuracy:

     

    24bit

             

    Dynamic:

     

    100 dB

             

    Impulse Response

                 
    Format:

                                           .wav

             
    Sampling rate:

                                           44.1kHz

     
    Sampling accuracy:

    24bit

     

    Sampling point:

    2048pts

             

    Power Supply:

     

    9v 1A. Please use the original power supply.

    Dimension:

     

    324mmX162mmX60mm

         

    Weight:

     

    1.7kg

             

    Accessories:

     

    USB cable,power supply,quick guide

       
  • *70 high-quality AMP models that utilize MOOER’s non-liner amp modelling technology from the MICRO PREAMP series. Supports loading extra amp models via editing software.
    *TONE CAPTURE function allows you to sample and capture your real-life amplifier to create brand new digital amp models.
    *32 IR-based factory speaker cab models to emulate the same dynamics and feel of a real tube amp.
    * 10 user slots to load in your favorite third-party IR files (2048 sample points).
    *11 different effects blocks with over 180 high-quality effects that cover all the bases from your favorite stompboxes and plugins to studio rack units.
    *Programmable FX LOOP with optional signal chain routing for easy integration of your favorite effects and ultimate flexibility for 4-cable method and amp setups.
    *Stereo outputs (unbalanced 1/4” and balanced XLR)
    * MIDI function can automatically match the signal source. Supports MIDI IN or MIDI OUT as set by the user.
    * Comprehensive INPUT/OUTPUT flexibility for studio recording or live performance.
    * Direct, low-latency USB audio lets GE250 double up as a digital audio interface and the included editing software makes it a “one-stop-shop” for recording guitar.

  • Types of Effect

     

    11

             

    Effects:

     

    Over 180

           

    Presets:

     

    255

             

    Input:

     

    1×1/4” mono jack.  Impedance: 1 MΩ

     

    Output:

     

    2×1/4” mono jack,impedance: 600 Ω

     
     

                                           2xXLR output,impedance: 600 Ω

         

    AUX IN:

     

    1×1/8” stereo jack,impedance: 10 KΩ

     

    HEADPHONE:

     

    1×1/8” stereo jack,impedance: 24 Ω

     

    EXP2:

     

    1×1/4” TRS jack,for 10k~100k impedance expression pedal

     

    SEND:

     

    1×1/4” mono jack,impedance: 600 Ω

       

    RETURN:

     

    1×1/4” mono jack,impedance:1 MΩ

       

    MIDI:

     

    5pin MIDI female port

           

    USB:

     

    1xUSB TYPE-B port

    Sampling rate:

     

    44.1kHz

             

    Sampling accuracy:

     

    24bit

             

    Dynamic:

     

    100 dB

             

    Impulse Response

                 
    Format:

                                           .wav

             
    Sampling rate:

                                           44.1kHz

     
    Sampling accuracy:

    24bit

     

    Sampling point:

    2048pts

             

    Power Supply:

     

    9v 1A. Please use the original power supply.

    Dimension:

     

    324mmX162mmX60mm

         

    Weight:

     

    1.7kg

             

    Accessories:

     

    USB cable,power supply,quick guide

       
  • Page 1
    AmpModelling&MultiEffects Owner’sManual DRUM MODELLING LOADER EFFECTS MACHINE LOOPER…
  • Page 2: Table Of Contents

    Contents PRECAUTIONS————————————————————————————————————————————————01 Features———————————————————————————————————————————————————02 TopPanel—————————————————————————————————————————————————03-04 BackPanel——————————————————————————————————————————————————05 HomeDisplay————————————————————————————————————————————————-06 Setup———————————————————————————————————————————————————07-12 Play—————————————————————————————————————————————————————13 PresetEditing———————————————————————————————————————————————13-15 Turningon/offeffectsblocks—————————————————————————————————————————-14 ValueEditing———————————————————————————————————————————————-14 EffectsChainOrder—————————————————————————————————————————————14 Saving——————————————————————————————————————————————————15 TONECAPTURE——————————————————————————————————————————————-16-17 TUNER————————————————————————————————————————————————————18 RHYTHM———————————————————————————————————————————————————19 LOOPER——————————————————————————————————————————————————20-21 JamMode————————————————————————————————————————————————-21 GLB-EQ———————————————————————————————————————————————————-22 FXLOOP———————————————————————————————————————————————————23 ExpressionPedal——————————————————————————————————————————————24-28 Calibration———————————————————————————————————————————————24-25 VolumePedal———————————————————————————————————————————————26 WahPedal————————————————————————————————————————————————-26 Merge—————————————————————————————————————————————————27-28…

  • Page 3
    CTRLSETTING————————————————————————————————————————————————-29 SYSTEMSETTING——————————————————————————————————————————————30-35 INPUTLEVEL———————————————————————————————————————————————-31 USBAUDIO———————————————————————————————————————————————31-32 TAPTEMPO————————————————————————————————————————————————33 MIDISETTING——————————————————————————————————————————————33-34   CABSIMTHRU———————————————————————————————————————————————34 TRAIL——————————————————————————————————————————————————-35 LOOPERMODE———————————————————————————————————————————————35 SCREEN—————————————————————————————————————————————————-36 RESET——————————————————————————————————————————————————36 EffectList—————————————————————————————————————————————————37-49 Specifications—————————————————————————————————————————————————50…
  • Page 4: Precautions

    PRECAUTIONS Pleasereadcarefullybeforeproceeding PowerSupply PleaseconnectthedesignatedACadaptertoanACoutletofthecorrectvoltage.PleasebesuretouseonlyanACadapter whichsupplies9VDC,1A,centernegative.UnplugtheACpoweradapterwhennotinuseorduringelectricalstorms. Pleaseonlyusetheoriginalpowersupplyincludedwithyourdevice. Connections AlwaysturnoffthepowertotheGE250andalladjacentequipmentbeforeconnectingordisconnecting.Thiswillhelp preventmalfunctionand/ordamagetootherdevices.Alsomakesuretodisconnectallconnectedcablesandthepower cordbeforemovingthisunit. CareandMaintenance Cleanonlywithasoft,drycloth.Ifnecessary,slightlymoistenthecloth.Donotuseabrasivecleanser,cleaningalcohol, paintthinners,wax,solvents,cleaningfluids,orchemically-impregnatedwipingcloths. Interferencewithradios,televisions,andotherelectricaldevicesplacednearbymaycausereceptioninterference. Operatethisunitatasuitabledistancefromradiosandtelevisions. Location Toavoiddeformation,discoloration,orotherseriousdamage,donotexposethisunittothefollowingconditions: ●Directsunlight●Extremetemperatureorhumidity ●Magneticfields●Moisture ●Excessivelydustyordirtylocations ● Strongvibrationsorshocks ●Heatsources FCCCertificationThisdevicecomplieswithPart15ofFCCRules.Operationissubjecttothefollowingtwoconditions: ●Thisdevicemaynotcauseharmfulinterference. ●Thisdevicemustacceptanyinterferencereceived,includinginterferencethatmaycauseundesiredoperation.

  • Page 5: Features

    Features ●55high-qualityAMPmodelsthatutilizeMOOER’snon-lineardigitalampmodellingtechnology.Supportsloading extraampmodelsviacomputereditor. ●26IR-basedfactoryspeakercabmodelstoemulatethesamedynamicsandfeelofarealtubeamp. ●10userslotstoloadinyourfavoritethird-partyIRfiles(upto2048samplepts). ●11differenttypesofeffectmodules.152high-qualityeffectsthatcoverallthebasesfromyourfavoritestompboxes, plugins,andstudiorackunits. ●TONECAPTUREfunctionallowsyoutosampleandcaptureyourreal-lifeamplifiertocreatebrand-newdigitalamp models. ●Storeandrecallupto85banksofpresets,eachbankwith3patchesfor255patchestotal. ●ProgrammableFXLOOPwithoptionalsignalchainroutingforeasyintegrationofyourfavoriteeffectsandultimate flexibilityfor4-cablemethodandampsetups. ●Stereooutputs(1/4»andXLR). ●MIDIIN/MIDIOUT ●GlobalEQfunctionallowsindividualEQsettingformainoutput,headphoneoutput,andXLRbalancedoutput. ●Brand-newRHYTHMmodulewith60drummachinesand10Metronomestyles. ●CTRLfunctionsupportsON/OFFswitchofeffectmodules,TAPTEMPOfunction. ●70secondlooperwithPRE/POSTmode. ●TrailOnfunctionfordelay&reverbeffects. ●Programablebuilt-inexpressionpedalwithsupportforasecondexpressionpedal. ●Direct,lowlatencyUSBaudioletsGE250doubleupasadigitalaudiointerfaceandbecomea»one-stop-shop» solutionforrecordingguitar.Editorsoftwareonthecomputermakesitanall-in-oneworkingstation. ●IntuitiveandsimpleUIbasedontheGE200userexperiencemakesforfastandeasysetupofpresets.Spendmore timeplayingandlesstimescrollingthroughendlessmenus.

  • Page 6: TopPanel

    TopPanel PRESET VALUE EXP2:MOD ModernFlanger VOL:75 ModernFlanger Ampmodelling&MultiEffects EXP:MOD 78% OUTPUT XLROUT XLROUT MASTER LEADGUITAR DISPLAY SYSTEM SAVE OUTPUT MASTER GLB-EQ CTRL TONECAP DELAY REVERB RHYTHM BANK TONE CAPTURE TUNER…

  • Page 7
    BANKUP/BANKDOWNfootswitches:Presstoswitchbetween85banks. A/B/CFootswitches:PresstoswitchbetweenPresetA/B/C. EffectsBlocks:Presstoselecteffectsmoduleandentertheeditmenu.Presstwicetoturnoffthecurrentmodule. Rhythm:DrumMachine/Metronomebutton.Presstoturnon/offdrummachineormetronome. EditorButtons Display:PresstoenterthePreset/effectchaindisplaypage. SYSTEM:Presstoentersystemmenu. SAVE:Presstosavecurrentsetting. GLB-EQ:PresstoenterglobalEQsettingsmenu.GLB-EQsupportsXLR,6.35mm(1/4»)outputandheadphone output. CTRL:PresstoenterControlFootswitchmenu. EXP:Presstoentertheexpressionpedalsettingmenu. OUTOUT/Headphone/Master:6.35mm(1/4»)output,headphoneoutputandmastervolumeknob. XLROUTMASTER:XLRoutputleveladjust. VALUE:Editorknob.Navigateandeditdifferentvaluesandparameters. 3.5»TFTdisplayscreen Expressionpedal:Built-inexpressionpedal.Canbesettocontrolwaheffect,volumelevel,orcustomizedvalues.
  • Page 8: BackPanel

    BackPanel MIDIIN/ FXLOOP XLROUT OUTPUT MIDIOUT DC9V AUXIN EXP2 SEND RETURN L(MONO) L(MONO) AUXIN:1/8»stereojacktoconnectexternalmediadevicesforaudioplayback. EXP2:¼»stereojack/externalexpressionpedalinput. IN:Instrumentinput. ¼»monojackwithGuitar/Linelevelswitch. SEND:1/4»FXLOOP.Canconnectextrastompboxes,4-cablemethodwithamplifier. RETURN:1/4»FXLOOP.Canconnectextrastompboxes,4-cablemethodwithamplifier. XLROUT:XLRbalancedoutput. GND/LIFTswitch:GroundingswitchforXLRoutput. OUTPUT:1/4»L/Runbalancedoutput. PHONES:Dedicatedheadphoneoutput.1/8” stereojack. MIDIIN/OUT:MIDIportsforMIDIIN/OUT. USB:USBType-Bporttoconnecttodirectrecorddigitalaudio. InterfacewithofficialMOOERsoftwaretoeditandimport/exportpresetsandupdatefirmware. I/O:PowerON/OFFswitch. DCIN:ConnectGE250powersupply. CableTidy:Loopthecablefromyourpowersupplytoavoidaccidentaldisconnection….

  • Page 9: HomeDisplay

    HomeDisplay EXP1:MOD GLB.BPM:120 VOL:50 EXP1:MOD EXP2:MOD 68% GLB.BPM:120 EXP2:MOD 68% LEADGuitar OUTPUT XLROUT COMP SEND LEADGUITAR DELAY RETURN EXP1display EXP2display CABSIMTHRUdisplay Presetvolumeleveldisplay PresetBPMvalue DSPresourceload EXPVolumedisplay Currentpresetnumber Currentpresetname Currenteffectschain…

  • Page 10: Setup

    Setup 1.ConnectingtoFRFRdevices ConnecttoFRFR(fullrange,flatresponse)speakercabinet,forexample,studiomonitor,audiointerface,stage monitor,PAsystemorheadphones. ItisrecommendedtoturnontheAMPandCABSIMblockswithFRFRdevices. Soundcard,recordingstudio StagemonitororPAsystem FXLOOP XLROUT OUTPUT MIDIIN/ MIDIOUT DC9V L(MONO) AUXIN EXP2 SEND RETURN L(MONO) Guitar Headphone Note:XLRoutputcanpreventsignalattenuationandinterferencefromlong-distancetransfers.

  • Page 11
    2.Connectingtopoweredspeakers+amplifier ItisrecommendedtoturnontheAMPsectionwhenusingaguitarspeakercabinetand/oramplifier. Connectpurepost-level ConnectingspeakerRETURN FXLOOP XLROUT OUTPUT MIDIIN/ MIDIOUT DC9V L(MONO) AUXIN EXP2 SEND RETURN L(MONO) Guitar…
  • Page 12
    3.ConnectingtoaFRFRspeaker+amplifier Recommendedsettingsprocedure: ●PressSYSTEMbuttontoentersystemsettings. ●SelectCABSIMTHRUsetting. ●WhenconnectingtoFRFRspeaker,setCABSIMon.Whenconnectingtoanamplifier,setCABSIMto THRU. Connectpurepost-level ConnectingspeakerRETURN StagemonitororPAsystem MIDIIN/ FXLOOP XLROUT OUTPUT MIDIOUT DC9V L(MONO) AUXIN EXP2 SEND RETURN L(MONO) Guitar Mixingstationandotherfull-rangeequipment…
  • Page 13
    4.4-CableMethodconnection GE250’sFXLoopsupportsconnectingtoanamplifierviathe4-cablemethod.Inthissetup,theGE250canplaythe roleofstompboxesinfrontofthepreampsectionandeffectsaddedafterthepreampsection.Forexample,wah, compressor,pre-EQ,pitchshift,anddrivemightbethepre-stompboxeffectswhilemodulation,delay,andreverb arethepost-stompboxeffects. Hereisthesetupprocedure: ●TurnontheFXLOOPmodule.TurnoffAMPandCABmodules. ●SetFXLOOPtoSerial. ●PressDISPLAYtoentereffectschaindisplay.Movethepre-stompboxeffectsinfrontoftheSENDandmovethe post-stompboxeffectsaftertheRETURN. SpeakerReturn SpeakerInput Speaker Guitar Speakersend MIDIIN/ FXLOOP XLROUT OUTPUT MIDIOUT DC9V L(MONO) AUXIN EXP2 SEND RETURN L(MONO)
  • Page 14
    5.ConnectingtotheINPUTofanamplifier GE250playstheroleofpre-stompboxesinthissetup.ItisrecommendedtoturnofftheAMPandCABmodules. SpeakerInput Speaker Guitar FXLOOP XLROUT OUTPUT MIDIIN/ MIDIOUT DC9V L(MONO) AUXIN EXP2 SEND RETURN L(MONO)
  • Page 15: Setup

    6.ConnectingtotheFXLOOPofanamplifier GE250playstheroleofpost-stompboxinthissetup. ItisrecommendedtoturnofftheAMPandCABmodules. SpeakerReturn Speaker Input Speakersend Guitar Speaker MIDIIN/ FXLOOP XLROUT OUTPUT MIDIOUT DC9V L(MONO) AUXIN EXP2 SEND RETURN L(MONO)

  • Page 16: Play

    Play 1. Setuptheconnectionsdependingonyourrequirements. 2. RotatetheMASTERvolumeknobstotheminimumvalue. 3. PluginthepowersupplyandswitchontheGE250. 4. AftertheGE250bootsupsuccessfully,adjusttheMASTERvolumelevelasyoudesire. PresetEditing TheGE250has10effectsblocks.Theorderofeffectschain,effecttype,effectvalues,effectsblockon/off,expression pedal,andCTRLfootswitchsettingscanallbesavedintopresetpatchesforeasyaccessandsharing. TheGE250has85banks.Eachbankincludes3presetsfor255presetpatchslotsintotal. VOL:50 EXP1:MOD GLB.BPM:120 EXP2:MOD 68% OUTPUT XLROUT BankNumber PresetAddress LEADGUITAR Youcanswitchbanksbypressing▼▲footswitches.ThenpressA/B/Ctoselectpresets. Onthepresetpage,youcanswitchbetweendifferentpresetsbyrotatingtheVALUEknob.

  • Page 17: ValueEditing

    1.Turneffectsblockson/off On:Whenthemoduleisoff,presstherelevanteffectsblocktoturniton. Off:Whenthemoduleison,presstherelevanteffectblocktoentertheeffectmodule.Presstwicetoturnitoff. TheLEDlightindicatesifaneffectsblockison/off. 2.DetailedValueediting ●Pressdesiredeffectsblocktoentereditingmenu. ●UsetheVALUEknobtoselectandmakeadecision. 3.EffectsChainorder GE250supportsadjustingeffectschain. PresstheDISPLAYbuttontoentertheeffectschainpage.Whentheeffectsblockison,theeffectsblockiconwill displayitsdesignatedcolor.Whentheeffectsblockisoff,theeffectsblockiconwillbegrey. ●PresstheDISPLAYbuttontoentereffectschainpage. ●RotatetheVALUEtonavigatetothedesiredeffectandpressVALUEtoconfirm. ●RotateVALUEagaintoplaceeffectinthedesiredplaceintheeffectschain.PressVALUEagaintoconfirm.

  • Page 18: Saving

    EXP1:MOD GLB.BPM:120 EXP2:MOD 68% LEADGuitar COMP SEND DELAY RETURN Notice: 1.AlltheeffectsblockswillbeindefaultorderwhensettoON.Userscantheneditandsavetotheirdesiredeffects chainorder. 2.WhentheSYSTEM-CABSIMTHRUsettingaresettotwodifferentsettings,theCABmodulewillbeplacedattheend oftheeffectschain. 4.Saving ●PressSAVEtoentersavemenu. ●Press▼、 ▲orrotatetheVALUEcontroltoselectsaveslot. ●PressVALUEagaintoeditpresetname.RotateandpressVALUEtoeditthename. ●PressSAVEagaintoconfirm. SAVE SAVE…

  • Page 19: ToneCapture

    TONECAPTURE ToneCaptureisanintelligentlearningandcomparisonenginethatcanbeusedtocreateyourveryowndigitalmodels bysamplingreal-lifeequipment.WiththeTONECAPTUREfeatureintheGE250,youcancapturethetoneofanyamp. BeforeusingtheTONECAPTUREfeature,pleaseensurethetargetamphasabuilt-inserialFXLOOP. 1.ConnectyouramptotheGE250via4-cablemethod. 2.PressSYSTEMtoentersystemsettings. 3.NavigatetoTONECAPTURE. 4.Selectmonitormode.INTERNALCABmeanstheGE250CABsimsectionison.TheFRFRspeakercanactasamonitor. EXTERNALCABmeanstheCABsimsectionisoffandtheexternalguitarcabinetisbeingusedasthemonitor.Press▼ footswitch continue. 5. Set the tone of the monitor. Then press▼again to continue. VALUE STEP1 STSTEM pleaseconnectyourGe250toyourAMP INPUTLEVEL Viathe4-cablemethod. XLROUT Thefieldbelowindicateshowyoucanmonitor MASTER theresultofthetonecapture. InternalCab MIDISETTING CABSIMTHRU (Note:AMPCaptureisnotpossible SYSTEM SAVE DISPLAY TRAIL…

  • Page 20: ToneCapture

    7. From the TONE CAPTURE sampling page, you can press footswitch A to monitor the target amp or press footswitch B to monitor the GE250’s source amp model. Again, ensure the GAIN and MST of the source is roughly the same as that of the target.

  • Page 21: Tuner

    TUNER PressfootswitchAandBsimultaneouslytostarttheTUNER. TUNER A= 435HZ MUTE 1.MUTE/BYPASStheaudiosignal. 2.Tunercalibration. 3.Nearestnote. 4.Displayisredwhenthenoteisflatorsharp. Displayisgreenwhenthenotehasachievedthecorrectpitch.

  • Page 22: Rhythm

    RHYTHM G250hasabuilt-inRHYTHMmodulewith60drummachinesand10Metronomesettingsforyoutousewhenpracticing. PresstheRHYTHMbuttontotogglethismoduleon/offandenterit’seditscreen. RHYTHM RHYTHM TYPE TYPE METRONOME STAGE STAGE JAZZ NO.01 NO.08 TYPE:SelectbetweenRHYTHM(drummachine)orMETRONOME. STYLE:Selectpatternstyle. BPM:AdjusttheRHYTHMspeed. VOL:AdjusttheRHYTHMplaybackvolume. CTRL/TAPfootswitchcanbeusedtotapthetempoofthedrummachine.

  • Page 23: Looper

    LOOPER G250hasanintegrated150-secondloopercompletewithspecialeffects. PressthefootswitchBandCsimultaneouslytoaccessthelooperscreen. LOOPER P025 MOOER GE250 PRESET 00.0S REC: 100 PLAY: 100 REVERSE: OFF HALF SPEED: OFF YoucanusetheVALUEcontroltoadjustthefollowingparameters: PLAY:Playbackvolumeofthelooper. REC:Recordinglevelofthelooper. PRESET:CurrentPreset. Notice:Thememoryoflooperwillbeclearedafterpoweroff. TUNER LOOPER UsefootswitchA,B,Ctocontrolthelooper. A:PresstotoggleREVERSEeffecton/off. B:PresstotoggleHALFSPEEDon/off. C: ●Pressoncetobeginrecording,playback,andoverdub. ●Doublepresstostop. ●Pressandholdtoclearthecurrentloopfrommemory.

  • Page 24: JamMode

    JamMode G250hasJamMode,allowsuserstoturnondrummachineandloopersimultaneouslyforplay. BelowistheprocedureforsetupofJamMode: 1.PressRHYTHMbutton,activatedrummachine. 2.EnterLOOPER,startwithREC.DrumMachinewillautomaticallyrestartfromthebeginning. 3.PresstostartPLAYwhenabarofdrummachineisabouttofinish,thenthelooperwillstartautomaticallywhennext barbegins. 4.YoucanpressSTOPtostopJammode.Ifyourestarttoplay,therecordedtrackandthedrummachinewillstillstart simultaneously. Notice: 1.Jammodecannotusethe1/2SPEEDorREVERSEeffects. 2.UserneedtoturnonRHYTHMfirst,thentheLOOPER. 3.DuringtheJammode,neitherthespeednorrhythmtypeoftheRHYTHMcanbechanged. Justify InJammode,MOOERaddtherhythmjustifyfunction. 1.IfuserfinishesrecordingwithPLAY,andtheendoftrackislessthanhalfofcurrentbarofdrummachine,thelooper willdeletetherecordingofthelastbarandplaybackimmediately. 2.IfuserfinishedrecordingwithPLAY,andtheendofthetrackismorethanhalfofthecurrentbarofdrummachine,the looperwillkeeprecordingtilltheendofbarinsteadofplaybackimmediately.

  • Page 25: Glb-Eq

    GLB-EQ GLB-EQisforthemainoutput,headphoneoutput,andtheXLRoutput. PressGLB-EQtoaccessGLOBALEQscreen. NavigatewithVALUEtoselectoutput. PressVALUEtotoggleon/off. WhentheGLB-EQisactivated,theGLB-EQLEDbuttonwilllightup. 01:Outputs&Phone 100Hz 800Hz 4000Hz Low-C Hi-C CN/OFF…

  • Page 26: FxLoop

    FXLOOP G250hasabuilt-inFXLOOPforconnectingtoextraeffectsandutilizingthe4-cablemethod. PressFXLOOPtoenterFXLOOPscreen.TheSEND,RETURNarelistedintheeffectschain.Youcanadjusttheorderas youdesire. VOL:50 EXP2:MOD PRE.BPM:120 EXP1:MOD 54% USDRIVE FX A RETURN SEND DELAY FX B LOOPMODE:SettoSerialorParrallelmode. DRY/WET:Settherateofdry/wetoftheparrallelFXLOOP. RETURNLEVEL:TheinputlevelofRETURN.Thedefaultvalueis0dB. SENDLEVEL:TheoutputlevelofSEND.Thedefaultvalueis0dB. FX LOOP FX LOOP 0 dB 0 dB Serial 50 50 Send Return Loop DryWet Level Levek Mode Notice:TheRETURNcannotbesetinfrontofSEND.

  • Page 27: ExpressionPedal

    ExpressionPedal TheGE250featuresabuilt-inexpressionpedal(EXP)aswellassupportforasecondexternalexpressionpedal(EXP2). TouseanexternalexpressionpedalwiththeGE250,connectittotheEXP2inputusingaTRSstereojackcable.Both expressionpedalscanbecalibratedandsetupintheEXPmenu. Notice:ItisrecommendedtocalibratetheexpressionpedalbeforeusingtheGE250forthefirsttime. Calibration ● Set the pedal in the heel-down position and press the VALUE control to confirm. EXP CALIBRATE PRESS CLICK TO ACCEPT…

  • Page 28
    ●Setthepedaltothetoe-downpositionandpresstheVALUEcontroltoconfirm. EXP CALIBRATE PRESS CLICK TO ACCEPT ●Setthepedalinthetoe-downpositionandapplyforwardpressure.Whileapplyingforwardpressure,pressthe VALUEcontroltoconfirm.ThiswillsetthesensitivityoftheEXPpedaltoe-downactivationswitch. EXP CALIBRATE PRESS CLICK TO ACCEPT…
  • Page 29: VolumePedal

    VolumePedal Pre-Volume ●SelectEXPorEXP2fromtheEXPmenu. ●SelectFUNCTION.Settherelevantcontrolvalue.e.g.LevelofFXA/B,VolumeofOD/DS,MST(master)ofAMPmodule. ●Pressexpressionpedaltoactivate. GlobalVolume ●SelectEXPVOLintheEXPmenu. ●SettheEXP1astheEXPVOLPEDALwiththeVALUEknob. ●Presstheexpressionpedaltoactivate. ●TheMIN/MAXlevelofvolumecanbeeditedbytheuser. WahPedal ●SelectEXPA/EXP2inEXPMenu,thenchooseFUNCTION. ●SelecttheFXA—Position.PressDISPLAYtoexit. ●SelectFXAblock,chooseCRYWAHor535WAHasthewahpedal. ●Pressexpressionpedaltoe-downswitchtoactivateit. Tips:YoucandefinetheexpressionpedaltocontrolanyvalueoftheeffectsinthefunctionmenusuchasAMPmaster volume,thegainoftheOD/DS,etc….

  • Page 30: Merge

    Merge MERGEisaspecialfunctionwhichallowsyoutocontrolmultipleparametersfromanyeffectsblocksandsetthe parametervalueendpointsforbothheel-downandtoe-downpositions.Thiscanbeusedinmanyways,butit’svery goodforblendingseamlesslybetweentwodifferentsoundsorhavingadvancedcontroloverspecialeffects. Inthisexample,wewillshowyouhowtocontrolDELAYtime,feedback,andlevelsimultaneouslywiththeEXPpedalby usingtheMERGEfunction.ActivatetheEXPpedalandsetitintheheel-downpositionafterassigningtheMERGEfunction fromtheEXPsettingsmenu.Youmustsetupeachparametervalueoneatatime. 01:DICITAL 698 LEVEL F.BACK TIAME SUB-D (Heeldown) ●OpentheDELAYeffectsblockbypressingtheDELAYbutton. ●SettheEXPpedalintheheel-downposition. ●SelecttheLEVELparametertoavalueof15.DonotpresstheVALUEcontrolagainyet.

  • Page 31: ExpressionPedal

    01:DICITAL (Heeldown) 698 LEVEL F.BACK TIAME SUB-D ●SettheEXPpedaltothetoe-downposition. ●ChangetheLEVELparametervalueto60.(TheboxsurroundingLEVELwillchangecolor). ●YoucannowcontroltheLEVELbetweenthesetwosetvaluepointsusingtheEXPpedal.PresstheVALUEcontrolto confirmandpreparetoassignyournextparameter. 01:DICITAL 1200 LEVEL F.BACK TIAME SUB-D Repeatsteps1and2fortheF.BACKwithavalueof50intheheel-downpositionand10inthetoe-downposition.Repeat steps1and2fortheTIMEwithavalueof300msintheheel-downpositionand1200msinthetoe-downposition. NowtrymovingtheEXPPedalbackandforthandyouwillseehowalloftheassignedparameterssimultaneouslymove betweentheirsetendpoints.HAVEFUN!!! Notice: 1.Iftheexpressionpedalisnotworkingnormally,trytorecalibrateit. 2.EXPandEXP2canbesetseparatelyinMERGE.

  • Page 32: CtrlSetting

    CTRLSETTING TheCTRLSETTINGhas3mainfunctions: NA:PresstodisabletheCTRLfootswitch. ON/OFF:Toggleassignedeffectsblockson/off. TAP:Tapthefootswitchmultipletimestocontrolthetempoofyourdelay. ToswitchbetweenON/OFFandTAP,pressandholdthecurrentpatchfootswitchforonesecond. —NA— ●SelectTAPtomakethedefaultfunctionoftheCTRL/TAPfootswitch “ TAPTEMPO” withinthepreset. ●SelectON/OFFtoassigneffectsblockstobeswitchedon/offusingthecurrentpatchfootswitch. CTRL SETTING FX/COMB DS/OD REVERB UsetheVALUEcontroltohighlightandselectwhicheffectsblocksyouwishtoassigntobeswitchableusingtheCTRL footswitch. TheCTRLfootswitchwillchangecolorbetweenBLUEandPURPLEtoindicatetheON/OFFofeffectsblocks.

  • Page 33: SystemSetting

    SYSTEMSETTING EnterthesystemsettingsmenuusingtheSYSTEMbutton.Inthismenuyouwill. findvariousglobalsettingswhichcanbeusedtosetupyourGE250. STSTEM INPUTLEVEL MIDISETTING CABSIMTHRU TRAIL LOOPERMODE SCREEN REST INPUTLEVEL:AdjusttheINPUTgainlevel. USBAUDIO:ConfiguretheUSBAUDIOoutputs. TONECAPTURE:RefertoTONECAPTUREsection. TAPTEMPO:Global/presettaptemposetting. MIDISETTING:MIDImapping. CABSIMTHRU:AssignCABsimulationtooutputs. TRAIL:Trailon/offfunction. LOOPERMODE:PRE/POST-Loopersetting. FSMODE:ChangetheFOOTSWITCHMODE. SCREEN:Adjustthebrightnesslevelofthedisplayscreen. RESET:ResetGE250tofactorysettingsandviewcurrentsystemfirmwareversion.

  • Page 34: InputLevel

    INPUTLEVEL Youcanadjusttheinputlevelaccordingtoyourinstrument.Rangesfrom-∞~+6dB. USBAUDIO G250supports24bits44.1kHzUSBdirectrecording. WindowsusersmayneedtodownloadandinstalltheASIOdrivertousewiththeGE250.PleaseentertheMOOERofficial website( www.mooeraudio.com) todownloadit.MACusersdonotneedtodownloadthisdriver. 1.AUDIOMODE NORMAL:Normalrecordingmode.GE250playstheroleofaudiointerface. Computer Play AUDIOMODE Nomal LEFTOUT INPUT OUTPUT RIGHTOUT (DirectPlayback) MIX:100 REAMP:Thesignalwillgothroughtocomputer,thenfeedtotheeffectschainofGE250….

  • Page 35
    Computer AUDIOMODE Play LEFTOUT RIGHTOUT OUTPUT 2.LEFTOUT/RIGHTOUT DRY:Outputsyourunalteredinstrumentsignalandbypassesthesignalprocessing. EFFECT:OutputsthefullyprocessedsignalfromtheGE250. RECVOL:Adjuststhelevelofthedigitalaudiosenttoyourcomputer. PLAYVOL:Adjuststhelevelofthemonitor(playback)volumeoftheGE250. MIX:TherateofmainoutputandtheUSBoutput.MIX=0indicatespuremainoutput,USBoutputwillbemute. MIX=100indicatespureUSBoutput,themainoutputwillbemute….
  • Page 36: TapTempo

    TAPTEMPO TaptempofunctioncanbesettoGLOBALandPRESET. GLOBAL:TheBPMoftaptempoforallpresets. PRESET:TheBPMoftaptempoforcurrentpreset. MIDISETTING G250canbesettoMIDIINorMIDIOUT.ThedetailedMIDmappingsettingcanbesetintheMIDISETTINGmenu. 1.MIDIIN MIDIIN CHANEL:MIDIINchannelsetting.From1 CHANNEL to16channel,orOMNI SYNCCLOCK:MIDIClockon/off CCREFERENCE CCREFERENCE:MIDICClist PCMAPPING:PCmappinglist PCMAPPING…

  • Page 37: CabSimThru

    2、 MIDIOUT MIDIOUT CHANNEL Channel:MIDIOUTchannelsetting SYNCCLOCK:MIDIClockon/off PCMAPPING PCMAPPING:PCmappinglist CABSIMTHRU ThespeakercabinetsimulationintheGE250canbeconfiguredtoaffectvariousoutputcombinations. Thiscanbeusefulinvarioussituations. Forexample,youmaywishtoconnecttheLEFToutputoftheGE250toyouron-stageamplifierwithCABSIMdisabled, whileconnectingtheRIGHToutputofGE250directtothePAsystemwiththeCABSIMenabled. CAB SIM ON:TheCABSIMisenabledforthisoutput. THRU:TheCABSIMisdisabledforthisoutput.

  • Page 38: Trail

    TRAIL TrialOnfunctionallowsthetrailofdelay/reverbeffectstoncontinueforafewsecondsafterthedelay/reverbeffects areturnedoff. 1.WhenusingCTRLtoturnoffthedelay/reverbeffects,thetrailwillcontinueforafewsecondsafterithasbeenturned off. 2.Whenswitchingbetweendifferentpresets,thetrailwillcontinueforafewsecondsafterswitching. LOOPERMODE LOOPERPOSITION Thesignalchainisshownbelow: EFFECTS POST OUTPUT INPUT LOOPER CHAIN LOOPER PRE:TheLOOPERwillbeplacedinfrontoftheeffectschaininordertorecordthedrysignaldirectlyfromyourguitar. InPREmode,theeffectschaincanbefedbytherecordedtrackandyoucanadjusttheeffectschaininrealtimeto getdifferentoutputtracks. POST:TheLOOPERwillbeplacedattheendoftheeffectschaininordertorecordthewetsignalastheoutputfrom theGE250.InPOSTmode,thelooperworksasatraditionalonedoes.Oncethetrackisrecorded,itcannotbe affectedbyeffectsfromtheGE250….

  • Page 39: Screen

    SCREEN Thebrightnessofthescreencanbesetinthismenu. RESET FromhereyoucanviewthecurrentfirmwareversionoftheGE250.SelectYEStoresetyourGE250tofactorysettings.

  • Page 40: EffectList

    EffectList FXA&FXB MODELNAMEDescription CRYWAH BasedonDUNLOP®GCB95 535WAH BasedonDUNLOP®Crybaby535Q AUTOWAH BasedonMOOER®@WAH TALKWAHAH BasedonMOOER®RedKidTalkwah TALKWAHOH BasedonMOOER®RedKidTalkwah TOUCHWAH BasedonMOOER®Envelope YELLOWCOMP BasedonMOOER®YELLOWCOMP BLUECOMP BasedonMOOER®BLUECOMP PHASERS Sinwavephaser TEPPHASER Squarewavephaser FATPHASER Bassfrequencyphaser FLANGER Standardflanger JET-FLANGER Jetlikeflanger TREMOLO StandardTremolo STUTTER Squarewaveflanger VIBRATO Trebleflanger DETUNE Pitchshiftflanger ROTARY Rotaryeffect ANA-CHORUS…

  • Page 41
    FXA&FXB MODELNAMEDescription Q-FILTERFiltermodulation HIGHPASSHighpassmodulation LOWPASSLowpassmodulation SLOWGEARSlowattackeffect LOFILowbiteffect DIGITALDELAYDigitaldelay INTELREDUCERNoisegateinfrontofdrive NOISEGATENoisegateafterthedrive POLYPITCHPolypitchshifter TRI-CHORUSTriblechorus MONOPITCHMonopitchshifter ANALOGDELAYAnalogdelay NOISEKILLERStandardnoisekiller…
  • Page 42
    ParameterExplanation TheQor “ Qualityfactor” istheratiooftheresonantfrequencytothebandwidthbetweentheupper andlower-3dBfrequencies.Inthisparticularapplication,youcanthinkoftheQastheshapeof yourbandpassfilter.AlowQwillhaveawider,roundershapeandsoundlesspronounced.Ahigh Qwillhaveanarrower,sharpershapeandsoundmorepronounced Thepositionofthewahinit’spedalsweep.0isequaltoheeldown,100isequaltotoedown *Notes:IfyouwanttousetheEXPpedaltocontrolthewahsweep,assign “WAH>Position” asthe Position functionintheEXPmenu.Youcanalsoturnon’Toeswitch’functiontoturnon/offthewahmodule whileyouarepressingtheEXPpedal PEAK Centrefrequencyvolumelevel Level Volumelevel Rate SpeedofthepositionsweepLFO Range Rangeofthepositionsweep Attack Speedoftheenvelope.100isthefastest Sens Sensitivityoftheenvelope Threshold Thethresholdcontrolsetsthelevelatwhichthecompressioneffectisengaged Ratio Theamountofattenuationtobeappliedtothesignal Depth Adjuststhedepthofmodulation Setstheproportionofmixbetweentheoriginal(dry)and’effected'(wet)signals.0istotaldrysignal, 100istotalwetsignal Feedback Adjuststhevolumethatisreturnedtotheinput.Highersettingswillresultinmoredelayrepeats Tone Adjuststhetoneofmodulation Setthepitchshiftvalue Pitch (Detune:100cents=1semitone=1half-step)
  • Page 43
    DS/OD MODELNAMEDescription TUBEDR BasedonB.K.Butler ®Tubedrive BasedonIBANEZ®TS808 PUREBOOST BasedonMOOER®PUREBOOST FLEXBOOST BasedonMOOER®FLEXBOOST DDRIVE BasedonBARBER®DirectDrive BLACKRAT BasedonProCo®Rat GREYFAZE BasedonDunlop®FuzzFace MUFFY BasedonEHX®BigMuff MTLZONE BasedonBOSS®METALZONE MTLMASTER BasedonDigitech®METALMASTER OBSESSVIEDIST BasedonFulltone®OCD JIMMYOD BasedonPaulCochrane®TimmyOD FULLDRV BasedonFulltone®Fulldrive2 SHRED BasedonMarshall®Shredmaster BEEBEEPRE BasedonXotic®BBPreamp BEEBEE+ BasedonXotic®BBPlus RIET BasedonSuhr ®Riot TIGHTDS BasedonAmptweaker ® FULLDS BasedonFulltone®GT-500…
  • Page 44
    DS/OD MODELNAMEDescription SOLO BasedonMOOER®Solo BLUESMOOD BasedonMOOER®BluesMood BLUESCRAB BasedonMOOER®BluesCrab HUSTLEDRIVE BasedonMOOER®HustleDrive ParameterExplanation Volume Volumelevelcontrol Tone Tonecontrol Gain Gainlevelcontrol…
  • Page 45
    AMPMODELS MODELNAMEDescription 65USDX BasedonFender ®65Deluxereverbpreampsection 65USTW BasedonFender ®65TwinReverbpreampsection 59USBASS BasedonFender ®59Bassmanpreampsection USSONIC BasedonFender ®SuperSonicpreampsection USBLUESCL BasedonFender ®BluesDeluxepreampsectionCleanChannel USBLUESOD BasedonFender ®BluesDeluxepreampsectionDriveChannel J800 BasedonMarshall®JCM800preampsection J900 BasedonMarshall®JCM900preampsection PLX100 BasedonMarshall®Plexi100preampsection E650CL BasedonENGL®E650CleanChannel E650DS BasedonENGL®E650DistortionChannel POWERBELLCL BasedonENGL®E645CleanChannel POWERBELLDS BasedonENGL®E645DistortionChannel BLACKNIGHTCL BasedonENGL®E650BlackmoreCleanChannel BLACKNIGHTDS BasedonENGL®E650BlackmoreDistortionChannel MARKIIICL BasedonMESA/Boogie®MARKIIICleanChannel MARKIIIDS BasedonMESA/Boogie®MARKIIIDistortionChannel MARKVCL…
  • Page 46
    AMPMODELS MODELNAMEDescription SLOW100CR BasedonSoldano®SLO-100CrunchChannel SLOW100DS BasedonSoldano®SLO-100DistortionChannel DR.ZEE18JR BasedonDR.Z®Maz18Jrpreampsection DR.ZEE18RECK BasedonDR.Z®Z-Wreckpreampsection JET100HCL BasedonJetCity®JCA100HCleanChannel JET100HOD BasedonJetCity®JCA100HDriveChannel JAZZ120 BasedonRoland®JC-120preampsection UK30CL BasedonVox®AC30CleanChannel UK30OD BasedonVox®AC30DriveChannel HWT103 BasedonHiwatt®DR-103preampsection PV5050CL BasedonPeavey®5150CleanChannel PV5050DS BasedonPeavey®5150DistortionChannel REGALTONECL BasedonToneKing®FalconRhythmChannel REGALTONEOD1 BasedonToneKing®FalconTweedChannel REGALTONEOD2 BasedonToneKing®FalconLeadChannel CAROLCL BasedonTwoRock®CoralCleanChannel CAROLOD BasedonTwoRock®CoralDriveChannel CARDEFF BasedonTwoRock®Cardiffpreampsection EV5050CL BasedonEVH®5150CleanChannel EV5050DS BasedonEVH®5150DistortionChannel HTCLUBCL…
  • Page 47
    AMPMODELS MODELNAMEDescription KOCHEOD BasedonKoch®PowertoneDriveChannel KOCHEDS BasedonKoch®PowertoneDistortionChannel USGOLD100 BasedonFriedman®Be100CleanChannel CLUSGOLD100DS BasedonFriedman®Be100DistortionChannel CALIJPA BasedonMesaBoogie®JP-2CCleanChannel CALIJPB BasedonMesaBoogie®JP-2CCrunchChannel CALIJPC BasedonMesaBoogie®JP-2CDistortionChannel PETEYSATCHCL BasedonPeavey®JSXCleanChannel PETEYSATCHCR BasedonPeavey®JSXCrunchChannel PETEYSATCHUL BasedonPeavey®JSXUltraChannel CUSTOM100Ch1 BasedonCustomAudioAmplifiers®PT100CleanChannel CUSTOM100Ch2 BasedonCustomAudioAmplifiers®PT100DriveChannel CUSTOM100Ch3 BasedonCustomAudioAmplifiers®PT100DistortionChannel Mr.SMITHCL BasedonPRS®ARCHONCleanChannel Mr.SMITHDS BasedonPRS®ARCHONDistortionChannel TAXIDEATAXUSA BasedonSuhr ®Badger30DriveChannel TAXIDEATAXUSB BasedonSuhr ®Badger30DistortionChannel ACOUSTIC1 AcouticGuitarSimulator1 ACOUSTIC2 AcouticGuitarSimulator2 ACOUSTIC…
  • Page 48
    ParameterExplanation Gain Gainlevelcontrol Bass Bassfrequencycontrol Midfrequencycontrol Treble Treblefrequencycontrol Pres Presencecontrol Mastervolumelevelcontrol MODELNAMEDescription USDLX112 BasedonFender ®65Deluxereverb112cabinet USTWN212 BasedonFender ®65TwinReverb212cabinet USBASS410 BasedonFender ®59Bassman410cabinet SONIC112 BasedonFender ®SuperSonic112cabinet BLUES112 BasedonFender ®BluesDeluxe112cabinet 1960412 BasedonMarshall®1960A412cabinet EAGLEP412 BasedonENGL®ProXXL412cabinet EAGLES412 BasedonENGL®VintageXXL412cabinet MARK112 BasedonMESA/Boogie®Mark112cabinet REC412 BasedonMESA/Boogie®Rectifier ®STD412cabinet CITRUS412 BasedonOrange®PPC412cabinet CITRUS212 BasedonOrange®PPC212cabinet SLOW412…
  • Page 49
    MODELNAMEDescription HWT412 BasedonHiwatt®AP412cabinet PV5050412 BasedonPeavey®5150412cabinet REGALTONE110 BasedonToneKing®Falcon110cabinet TWOSTONES212 BasedonTwoRock®212cabinet CARDEFF112 BasedonTwoRock®112cabinet EV5050412 BasedonEVH®5150412cabinet HT412 BasedonBlackstar ®HTV412cabinet GASSTATION412 BasedonDiezel®Hagen412cabinet CUSTOM212 BasedonCustomAudio®212cabinet USGOLD412 BasedonFriedman®412cabinet BasedonMESA/Boogie®RectoTrad412cabinet CALI412-1 BasedonPeavey®6505412cabinet PETEY412 BasedonPRS®Archon50Combo112cabinet Mr.SMITH112 BasedonSuhr ®112cabinet TAXIDEATAXUS112 112acousticguitarcabinet ACOUSTIC112 Forloading3rdpartyIRs 33-42 EMPTY ParameterExplanation Tube Tubetypeselection Microphonetypeselection Center Positionofmicrophonerelativetothecentreofthespeakercone,0isinthemiddle Distance…
  • Page 50
    MODELNAMEDescription NOISEKILLER BasedonMOOERMicroNoiseKiller INTELREDUCER Pre-noisegateinfrontofDrive NOISEGATE Post-noisegateafterDrive ParameterExplanation SetthedetectionlevelthattheNoisegateoperatesat.Anythingbelowthislevelwillbeattenuated whenthegateisclosed.Whenahigherlevelisdetected(suchasplayingyourinstrument),thenoise Threshold gatewillopenandallowsoundtopassthrough IntelReducerisanintelligentbackgroundnoisesuppressor.Depthadjuststheintesityofwhitenoise Depth suppression Attack Adjuststhespeedatwhichthenoisegateclosesandattenuatesthesound.100isthefastest Release Adjuststhespeedatwhichthenoisegateopenswhenyouplayyourinstrument.0isthefastest MODELNAMEDescription MOOERG 5bandgraphicEQforguitar MOOERHM 5bandgraphicEQforBASSguitar MOOERG-6 6bandgraphicEQforGuitar CUSTOMEQ 3bandparametricEQwithadjustablefrequenciesand±10Dbboost/cut ParameterExplanation Level Volumelevelcontrol Setsthefrequencyatwhichthelowcutfilterbeginstotakeeffect Lo-CF Hi-CF Setsthefrequencyatwhichthehighcutfilterbeginstotakeeffect…
  • Page 51
    FXLoop ParameterExplanation SendLevel Adjustthevolumelevelfromtheeffectsloopsendoutputs ReturnLevel Adjusttherecoverylevelattheeffectsloopreturninputs Progressivelyadjustthewet/drymixwheninparallelmode.100%Wetwillsend100%ofthesignal Dry/Wet throughtheFXLOOPjustlikeSerialmode.100%DrywillbypasstheFXLOOPcompletely LoopMode Choosebetweenserialeffectsloopandparalleleffectsloop DELAY MODELNAMEDescription DIGITAL Recreatesthecrystal-clearrepeatsofthe80’sdelayunits ANALOG ModelledafterclassicstompboxdelayswithBBchips REAL Realisticandnaturalecho TAPE Recreatesswirly70’stapeecho DigitalDelaywithmodulatedrepeats REVERSE Backwardsdelay PINGPONG Stereodelay DYNAMIC DigitalDelaywhichrespondstoinstrumentdynamics DUALDELAY 2delayswithindependentcontrols ParameterExplanation Adjuststhenumberofdelayrepeats Feedback Adjuststherepeatsvolumelevel.0istotaldry,100istotalwet AdjuststhedelayrepeattimeinMilliseconds.Setsthedelayrepeattimeinrelationtothepreset Sub-B tempo(TempoSyncOn) Threshold Setstheenvelopedetectionlevelofthedynamicdelay (Dynamic)
  • Page 52
    REVERB MODELNAMEDescription ROOM Smallroomreverb HALL Largeroomreverb CHURCH Hugeroomreverb PLATE Studiostyleplatereverb SPRING Classicspringreverbtank Reverbwithmodulation CAVE Spaciousandatmosphericreverb ParameterExplanation Delaytimebeforethefirstreflectionscanbeheard PreDelay Simulatedsizeofthespringsinthespringtank Length Volumelevelcontrol Level Lengthofthereverbtrails Decay Tonecontrol Tone…
  • Page 53: Specifications

    Specifications TypesofEffect:11 Effects: Over180 Presets: 255 Input: 1×1/4” monojack.Impedance:1MΩ Output: 2×1/4” monojack, impedance:600Ω 2xXLRoutput, impedance:600Ω AUXIN: 1×1/8” stereojack, impedance:10KΩ Headset: 1×1/8” stereojack, impedance:24Ω EXP2: 1×1/4” TRSjack, for10k~100kimpedanceexpressionpedal SEND: 1×1/4” monojack, impedance:600Ω RETURN: 1×1/4” monojack, impedance:1MΩ MIDI: 5pinMIDIfemaleport USB: 1xUSBTYPE-BportSamplingrate: 44.1kHz Samplingaccuracy:…

  • Page 54
    SHENZHEN MOOER AUDIO CO. LTD 6F, Unit D, Jinghang Building, Liuxian 3rd Road, Bao’an 71 District, Shenzhen, China. 518133…

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Получаете предложения

В ближайшее время с вами свяжется менеджер для уточнения деталей

Гитарный процессор MOOER GE250

1 х 1/8″ стерео джек / сопротивление: 10 кОм

9 В, 1A, пожалуйста, используйте оригинальный источник питания

1 х 1/8″ стерео джек / сопротивление: 24 Ом

Сопротивление на выходах:

600 Ом

2 х 1/4″ монофонических джека, 2 х XLR выхода

1 х 1/4″ монофонический джек

Моделей кабинетов, микрофонов

Более 180

Точность ir сэмплирования:

24 бит

9В 1А (допускается использование только оригинального адаптера)

Частота ir сэмплирования:

44,1 кГц

USB кабель, сетевой адаптер, руководство пользователя

источник питания, USB кабель, краткое руководство пользователя

Смотрите также

Amp Modelling & Multi-E ekt

Benutzerhandbuch

NR

IR

HQ

DRUM

70 SEC

MODELLING

LOADER

EFFECTS

MACHINE

LOOPER

Inhalt

SICHERHEITSHINWEISE————————————————————————————————————————————-

01

Ausstattung—————————————————————————————————————————————————-

02

Bedienelemente auf der Oberseite——————————————————————————————————————

03-04

Rückseite——————————————————————————————————————————————————-

05

Home-Anzeige————————————————————————————————————————————————-

06

Einrichtung————————————————————————————————————————————————

07-12

Spielen———————————————————————————————————————————————————-

13

Presets bearbeiten—————————————————————————————————————————————

13-15

Einund Ausschalten der E ektblöcke—————————————————————————————————————-

14

Detaillierte Bearbeitung der Werte———————————————————————————————————————

14

Reihenfolge der E ektkette——————————————————————————————————————————

14

Speichern—————————————————————————————————————————————————

15

TONE CAPTURE——————————————————————————————————————————————-

16-17

TUNER (STIMMGERÄT)—————————————————————————————————————————————

18

RHYTHM———————————————————————————————————————————————————

19

LOOPER (SCHLEIFENAUFZEICHNUNG)—————————————————————————————————————

20-21

Drum Machine und Looper ( Jam Mode )—————————————————————————————————————

21

GLB-EQ———————————————————————————————————————————————————-

22

FX LOOP — EFFEKTSCHLEIFE———————————————————————————————————————————

23

Expression Pedal——————————————————————————————————————————————

24-28

Kalibrierung——————————————————————————————————————————————-

24-25

Volume-Pedal———————————————————————————————————————————————

26

Wah-Pedal————————————————————————————————————————————————-

26

Merge—————————————————————————————————————————————————

27-28

CTRL EINRICHTUNG——————————————————————————————————————————————

29

SYSTEMEINSTELLUNGEN——————————————————————————————————————————-

30-35

INPUT LEVEL (Eingangspegel)—————————————————————————————————————————

31

USB AUDIO———————————————————————————————————————————————

31-32

TAP TEMPO————————————————————————————————————————————————

33

MIDI SETTING——————————————————————————————————————————————

33-34

   CAB SIM THRU———————————————————————————————————————————————

34

TRAIL——————————————————————————————————————————————————-

35

LOOPER-MODUS——————————————————————————————————————————————

35

SCREEN (BILDSCHIRM)———————————————————————————————————————————-

36

RESET (ZURÜCKSETZEN)———————————————————————————————————————————

36

Liste der E ekte——————————————————————————————————————————————

37-49

Firmware-Aktualisierung————————————————————————————————————————————

50

Technische Daten———————————————————————————————————————————————

51

SICHERHEITSHINWEISE

BITTELESENSIEDIESENABSCHNITTSORGFÄLTIGDURCH,BEVORSIEFORTFAHREN.

Stromversorgung

BitteschließenSiedasvorgeseheneNetzteilaneineNetzsteckdosean,diediekorrekteSpannungliefert.AchtenSiedarauf,

dassSienureinNetzteilverwenden,das9VDCGleichspannungbei1AmitMinusamMittelpolliefert.ZiehenSiedenStecker

desNetzteils,wenndasGerätnichtverwendetwirdoderwährendeinesGewitters.VerwendenSiebittenurdiemitIhrem

GerätgelieferteOriginalstromversorgung.

Anschlüsse

SchaltenSieimmerdieStromversorgungdesGE250undderanzuschließendenGeräteab,bevorSieAnschlüsseherstellen

odertrennen.DadurchwerdenFehlfunktionenund/oderSchädenandenanderenGerätenvermieden.AchtenSieauch

darauf,dassSiealleangeschlossenenKabelunddasNetzkabelabziehen,bevorSiediesesGerätbewegen.

PflegeundWartung

VerwendenSiezumReinigenausschließlicheinweiches,trockenesTuch.Wennnötig,kanndasTuchleichtangefeuchtet

werden.VerwendenSiekeineScheuermittel,Reinigungsalkohol,Verdünner,Wachs,Lösungsmittel,Reinigungsflüssigkeiten

oderchemischimprägnierteReinigungstücher.

StöreinflüsseaufRadios,FernsehgeräteundandereElektrogeräteinderNähekönnenindiesenzuEmpfangsstörungenführen.

DiesesGerätsollteinausreichendemAbstandvonRadiosundFernsehgerätenbetriebenwerden.

Aufbewahrung

UmVerformung,VerfärbungoderandereschwereSchädenzuvermeiden,haltenSiedasGerätvonfolgendenGefahrenquellen

fern:

● DirekteSonneneinstrahlung

● ExtremeTemperaturenoderLuftfeuchtigkeit

● Magnetfelder

● Feuchtigkeit

● ÜbermäßigstaubigeoderverschmutzteStandorte

● StarkeVibrationenoderStöße

● Wärmequellen

FCCZertifizierung:DiesesGeräterfülltPart15derFCCRegelungen.DerBetriebunterliegtdenfolgendenzwei

Bedingungen:

● DiesesGerätdarfkeineschädlichenStörungenverursachen.

● DiesesGerätmussjeglicheStöreinflüssevertragenkönnen,einschließlichderStöreinflüsse,dieunerwünschteReaktionen

imGeräthervorrufenkönnen.

01

Ausstattung

● 70VerstärkermodelleinSpitzenqualität,dieMOOERsnicht-lineareTechnologiezurVerstärkermodellierungnutzen.

UnterstütztdasLadenvonzusätzlichenVerstärkermodellenübereinenComputer-Editor.

● 32vorprogrammierteCab-ModelleaufIRBasiszurEmulationdergleichenDynamikunddesgleichenSpielgefühlswie

beieinemechtenRöhrenverstärker.

● 10SpeicherplätzefürdenNutzer,indieSieIRDateienvonanderenAnbieternladenkönnen(2048Sample-Punkte).

● 11verschiedeneArtenvonEffektmodulen.180EffekteinTop-Qualität,diealleGrundlagenabdecken,vonIhren

Lieblings-PedalsbiszuPluginsundStudioRack-Units.

● DieTONECAPTUREFunktionermöglichtdieErfassungIhreseigenenVerstärkers,umbrandneuedigitale

Verstärkermodellezuerstellen.

● Siekönnenbiszu85Preset-Bänkespeichernundabrufen;jedeBankmit3Patchesfürinsgesamt255Patches.

● ProgrammierbarerFXLOOPmitoptionalemSignalweg-RoutingfüreinfacheIntegrationIhrerLieblingseffekteund

ultimativeFlexibilitätfürdie4-KabelMethodeundverschiedeneVerstärkerkonfigurationen.

● Stereo-Ausgänge(6,35mm(1/4″)undXLR)

● MIDIIN/MIDIOUT

● DieglobaleEQFunktionermöglichtindividuelleEQEinstellungenfürHauptausgang,Kopfhörerausgangund

symmetrischenXLR-Ausgang.

● BrandneuesRHYTHMModulmit60DrumMachinesund10Metronom-Styles.

● DieCTRLFunktionunterstütztdieON/OFFSchaltungfürEffektmoduleunddieTap-TempoFunktion.

● 70SekundenLoopermitPRE/POSTModus.

● «Trail-On»FunktionfürDelay-&Halleffekte.

● ProgrammierbaresintegriertesExpressionPedalsowieUnterstützungfüreinzweitesExpressionPedal.

● MitdemdirektenUSBAudio-AusgangmitgeringerLatenzkanndasGE250auchalsdigitaleAudio-Schnittstelle

arbeitenundsomitzueinerzentralen,direktenLösungfürGitarrenaufnahmenwerden.DurchdieEditor-Software

aufdemComputerwirdeszueinervollständigenWorkstation.

02

Mooer GE 250 Manual

Bedienelemente auf der Oberseite

Amp modelling & Multi Effects

01

BANK

09

06 07

08

05

2

EXP2: MOD

Modern Flanger

PRESET

VALUE

VOL: 75

EXP: MOD Modern Flanger

78%

OUTPUT ON

XLR OUT OFF

XLR OUT

LEAD GUITAR

MASTER

OUTPUT

SYSTEM

SAVE

31A

DISPLAY

MASTER

CTRL

EXP

GLB-EQ

AMP TONE CAP

CAB NS

EQ

DELAY REVERB

RHYTHM

10

A

B

C

TUNER

TONE

CAPTURE

01 FußschalterfürBANKAUF/BANKAB:DrückenSiediese,umzwischen85Bänkenumzuschalten.

02 A/B/CFußschalter:DrückenSiediese,umzwischenPresetsA/B/Cumzuschalten.

03Effektblöcke:DrückenSiedieseSchalter,umeinEffektmodulauszuwählenundaufdasBearbeitungsmenü

zuzugreifen.DrückenSieeinenSchalterzweimal,umdasentsprechendeModulabzuschalten.

04RHYTHM:SchalterfürDrumMachine/Metronom.DrückenSiediesenSchalter,umdieDrumMachineoderdas

Metronomein-oderauszuschalten.

05Editor-Schalter

DISPLAY:DieserSchaltergewährtZugriffaufdieAnzeigeseitefürPreset/Effektkette.

SYSTEM:DamiterhaltenSieZugriffaufdasSystemmenü.

SAVE:DamitspeichernSiedieaktuellenEinstellungen.

GLB-EQ:DamiterhaltenSieZugriffaufdasEinstellungsmenüfürdenglobalenEQ.GLB-EQwirktaufXLR,

6,35mm(1/4»)undKopfhörerausgänge.

CTRL:DamiterhaltenSieZugriffaufdasMenüfürdieFußschaltersteuerung.

EXP:DamiterhaltenSieZugriffaufdasEinstellungsmenüfürdasExpressionPedal.

06OUTPUT/Kopfhörer/ MASTER:Lautstärkereglerfürden6,35mm(1/4»)Ausgang,denKopfhörerausgang

undMasterVolume.

07 XLROUTMASTER:EinstellungdesXLRAusgangspegels.

08VALUE(WERT):Editor-Knopf.DamitnavigierenSiezwischenverschiedenenWertenundParameternundkönnen

dieseverändern.

093,5″TFTAnzeigefenster

10ExpressionPedal:EingebautesExpressionPedal.DieseskannfürdieSteuerungdesWahEffekts,des

LautstärkepegelsoderbenutzerdefinierterWerteeingerichtetwerden.

04

Rückseite

01

02

03

04

05

06

07

08

09

10

11

12

13

14

FXLOOP

XLR OUT

OUTPUT

MIDI IN/

DC 9V

AUX IN

EXP 2

IN

SEND

RETURN

L(MONO)

MIDI OUT

USB

R

1A

L(MONO) R

01 AUX IN: 3,5 mm (1/8″) Stereo Klinkenbuchse zum Anschluss für externe Mediengeräte für Audiowiedergabe.

02 EXP2:6,35 mm (1/4″) Stereo-Klinkenbuchse / Eingang für externes Expression Pedal.

03 IN: Instrumenteneingang 6,35 mm (1/4″) Mono-Klinkenbuchse.

04SEND: 6,35 mm (1/4″) FX Loop. Hier können Sie zusätzliche Pedals anschließen oder die 4-Kabel Methode mit einem Verstärker verwenden.

05RETURN: 6,35 mm (1/4″) FX Loop. Hier können Sie zusätzliche Pedals anschließen oder die 4-Kabel Methode mit

einem Verstärker verwenden.

06 XLR OUT: Symmetrischer XLR Ausgang

07 GND/LIFT Schalter: Masseschalter für den XLR Ausgang.

08 OUTPUT: 6,35 mm (1/4″) L/R unsymmetrischer Ausgang.

09 PHONES: Ausgang speziell für Kopfhörer. 3,5 mm (1/8”) Stereo-Klinkenbuchse

10MIDI IN / OUT: MIDI Schnittstellen für MIDI IN/OUT.

11USB: USB Schnittstelle vom Typ B zum Anschluss von Geräten für direkte digitale Audioaufnahmen.

Schnittstelle zur offiziellen MOOER Software zur Bearbeitung sowie Import/Export von Presets und für die

Aktualisierung der Firmware.

12I/O: Ein/Aus Schalter.

13DC IN: Anschluss für die GE250 Stromversorgung.

14Kabel-Zugentlastung : Führen Sie das Stromversorgungskabel hier herum, um eine versehentliche Trennung

zu vermeiden.

05

Home-Anzeige

EXP1: MOD

VOL: 50

EXP1: MOD

GLB.BPM:120

05

EXP2: MOD

68%

02

GLB.BPM:120

EXP2: MOD

68%

06

31A

LEAD Guitar

03

OUTPUT ON

XLR OUT OFF

07

LEAD GUITAR

08

COMP

DS

AMP

CAB

SEND

10

09

31A

NS

DELAY

EQ

MOD

REV

RETURN

01 EXP 1 Anzeige

02 EXP 2 Anzeige

03 CAB SIM THRU Anzeige

04 Anzeige des Preset-Lautstärkepegels

05 BPM Wert des

06 DSP Ressourcenauslastung

07 Anzeige EXP Lautstärke

08 Aktuelle Preset-Nummer

09Name des aktuellen Preset

10Aktuelle Effektkette

06

Einrichtung

1. Anschluss von FRFR Geräten

Anschluss einer FRFR (Full Range Flat Response) Lautsprecherbox zum Beispiel oder eines Studio-Monitors,

Audio-Interface, Bühnen-Monitors, PA Systems oder Köpfhörers.

Bei der Arbeit mit FRFR Geräten wird die Aktivierung der Blöcke AMP und CAB SIM empfohlen.

Audio Interface, studio monitor

Stage monitor or PA system

FXLOOP

XLR OUT

OUTPUT

MIDI IN/

DC 9V

AUX IN

EXP 2

IN

SEND

RETURN

L(MONO)

R

MIDI OUT

USB

1A

L(MONO)

R

Guitar

Headphone

HINWEIS: Der XLR Ausgang kann eine Signaldämpfung und Störeinflüsse bei langen Kabelwegen verhindern.

07

2. Anschluss von Aktivlautsprechern und Verstärkern

Bei der Verwendung einer Gitarrenlautsprecherbox und / oder eines Verstärkers wird die Aktivierung des AMP

Abschnitts empfohlen.

To the power amplifier

To the RETURN of amplifier

FXLOOP

XLR OUT

OUTPUT

MIDI IN/

DC 9V

AUX IN

EXP 2

IN

SEND

RETURN

L(MONO)

R

MIDI OUT

USB

1A

L(MONO)

R

Guitar

08

3. Anschluss eines FRFR Lautsprechers und Verstärkers

Empfohlenes Einrichtungsverfahren:

● Drücken Sie die SYSTEM Taste, um die Systemeinstellungen aufzurufen.

● Wählen Sie die Einstellung CAB SIM THRU.

● Schalten Sie beim Anschluss eines FRFR Lautsprechers CAB SIM ein. Schalten Sie bei Anschluss eines Verstärkers CAB

SIM auf THRU.

To the power amplifier

To the RETURN of amplifier

Stage monitor or PA system

FXLOOP

XLR OUT

OUTPUT

MIDI IN/

DC 9V

AUX IN

EXP 2

IN

SEND

RETURN

L(MONO)

R

MIDI OUT

USB

1A

L(MONO)

R

Guitar

To the mixer or FRFR equipment

09

4. Anschluss nach der 4-Kabel Methode

Die Effektschleife des GE250 unterstützt den Anschluss eines Verstärkers nach der 4-Kabel Methode. In dieser

Konfiguration kann das GE250 die Rolle von Effektpedalen vor dem Vorverstärkerabschnitt und von Effekten

übernehmen, die hinter dem Vorverstärkerabschnitt eingefügt sind. So können beispielsweise Wah, Compressor,

Pre-EQ, Pitch-Shift und Drive vor dem Vorverstärker liegen, während Modulations-, Delayund Halleffekte hinter den

Vorverstärker geschaltet werden können.

Konfigurationsprozedur:

● Aktivieren Sie das Modul FX LOOP. Schalten Sie die Module AMP und CAB aus.

● Schalten Sie den FX LOOP auf «Serial».

● Drücken Sie DISPLAY, um die Effektkette anzuzeigen. Bewegen Sie die Effekte vor dem Vorverstärker vor das SEND

Modul und die anderen hinter das RETURN Modul.

AmplifierReturn

AmplifierInput

FXLOOP

XLR OUT

OUTPUT

MIDI IN/

DC 9V

SEND

RETURN

L(MONO)

MIDI OUT

USB

R

1A

5. Anschluss an den Eingang des Verstärkers

In dieser Konfiguration übernimmt das GE250 die Rolle der Effektpedale. Es wird empfohlen, die AMP und CAB Module

abzuschalten.

AmplifierInput

Guitar

Amplifier

FXLOOP

XLR OUT

OUTPUT

MIDI IN/

DC 9V

AUX IN

EXP 2

IN

SEND

RETURN

L(MONO)

R

MIDI OUT

USB

1A

L(MONO)

R

11

6. Anschluss an die Effektschleife des Verstärkers

In dieser Konfiguration liegen die Effekte des GE250 hinter dem Vorverstärker.

Es wird empfohlen, die AMP und CAB Module abzuschalten.

Guitar

Amplifier Input

Amplifier Return

Amplifier send

Amplifier

AUX IN

EXP 2

IN

SEND

FXLOOP

XLR OUT

OUTPUT

R

RETURN

L(MONO)

MIDI IN/

MIDI OUT

DC 9V

USB

1A

Spielen

1. Stellen Sie die Verbindungen entsprechend Ihrer Anforderungen her.

2. Drehen Sie den MASTER Volume Regler auf den Minimalwert.

3. Schließen Sie die Stromversorgung an, und schalten Sie das GE250 ein.

4. Stellen Sie nach dem Hochfahren des GE250 das MASTER Volume nach Wunsch ein.

Presets bearbeiten

Das GE250 verfügt über 10 Effektblöcke. Die Reihenfolge der Effekte in der Kette, die Effektart, die Effektwerte, der

Aktivierungszustand von Effektblöcken, das Expression Pedal und die Einstellungen für die CTRL Fußschalter können

für einen einfachen Zugriff und zur Weitergabe in Preset-Patches gespeichert werden.

Das GE250 verfügt über 85 Bänke. Jede Bank beinhaltet 3 Presets für insgesamt 255 Preset Speicherplätze.

EXP1: MOD

VOL: 50

GLB.BPM:120

EXP2: MOD

68%

OUTPUT ON

XLR OUT OFF

Bank Nummer

31A

Preset Adresse

LEAD GUITAR

Sie können mit den ▼▲Fußschaltern zwischen den Bänken wechseln. Drücken Sie dann A/B/C, um zwischen den

Presets umzuschalten.

Auf der Preset-Seite können Sie durch Drehung des VALUE Reglers zwischen verschiedenen Presets umschalten.

13

1. Einund Ausschalten der Effektblöcke

Ein: Ist das Modul ausgeschaltet, drücken Sie auf den entsprechenden Effektblock, um es zu aktivieren.

Aus: Ist das Modul eingeschaltet, drücken Sie den entsprechenden Effektblock, um auf das Effektmodul zuzugreifen.

Drücken Sie zweimal, um den Effekt abzuschalten.

Die LED zeigt an, ob ein Effektblock aktiviert ist oder nicht.

2. Detaillierte Bearbeitung der Werte

● Drücken Sie den gewünschten Effektblock, um auf das Bearbeitungsmenü zuzugreifen.

● Verwenden Sie den VALUE Regler, um eine Auswahl zu treffen und diese zu bestätigen.

3. Reihenfolge der Effektkette

Die Effektkette im GE250 kann angepasst werden.

Drücken Sie die DISPLAY Taste, um die Anzeige der Effektkette zu öffnen. Ist ein Effektblock aktiviert, wird dessen

Symbol in der jeweiligen Farbe dargestellt. Ist ein Effektblock deaktiviert, erscheint dessen Symbol grau.

● Drücken Sie die DISPLAY Taste, um die Anzeige der Effektkette zu öffnen.

● Drehen Sie den VALUE Regler, um zum gewünschten Effekt zu navigieren, und drücken Sie dann VALUE, um die

Auswahl zu bestätigen.

● Drehen Sie VALUE erneut, um den Effekt an der gewünschten Stelle in der Effektkette zu positionieren und drücken

VALUE erneut, um die Position zu bestätigen. Drücken Sie VALUE noch einmal, um zu bestätigen.

14

Loading…

Introduction

Mooer GE250, another amp modeller and multi-effects added to Mooer’s ever-growing arsenal.

Known for their mini pedals and for recently dabbling into the multi-effects and amp modelling arena, Mooer Audio has recently launched the GE300. It is aimed at the same spot occupied by Line 6 Helix, Headrush, Fractal Audio FX8/AX8 and many others.

Now as a follow up, a slightly smaller and more affordable device in the GE250.

Mooer GE250 Front

Mooer GE250 Front

Squeezed into the Mooer line-up right between the GE200 and GE300.

This new shiny piece of gear is once again proof of the unstoppable trend to replace physical amplifiers and effects pedals with modellers and software.

Why would you want it ?

There’s a few scenarios where a floor amp modeller and multi-effects is handy:

· As your only source for guitar tone. It is not as portable as compact models such as the Mooer GE200 or the Line 6 HX Stomp. It is still small enough to fit a gig bag and might as well be your ultimate guitar tone device, and it is cheaper than the Mooer GE300;

· As your Home Recording Studio USB interface if you don’t have one. You could record your guitar without the need for a separate interface. If all you do is practice your guitar and occasionally record it in your DAW, this could be it;

· As your effects box in your pedalboard, in addition to other pedals. The GE250 does support the 4-cable method, so it can be combined with the amplifiers you already love;

· Playing live. It has a mode to disable the cabinet simulation in case you want to send one of its outputs directly to a stage amp while performing. The other output can be sent to the PA system with the cab simulation on.

On the USB front, It will output two channels to your DAW, allowing you to either record the output in stereo if you’re using stereo effects, or dual mono with dry and processed versions of the signal.

Similar to the relatives GE200 and GE300, you can go to the system menu of the unit and disable the effects in one or both outputs. That way you can use it as a DI Box to capture a dry guitar signal alongside the processed one.

The stand out features are really the tone capture block and the extended I/O selection that includes XLR outputs and support for the 4-cable method.

I would say that these stand out in the comparison with the smaller and cheaper GE200. It might be a good reason to keep your wallet away from the GE300 and get this one instead.

Look And Feel + User Interface

The Mooer GE250 is a bit bigger than the GE200. As it seems to be the norm with Mooer products, it seems very robust and well finished.

It delivers 5 footswitches which are pre-assigned to preset bank switch, tuner and looper. It also contains direct small switches for every effect in the signal chain, knobs for adjusting volume and parameters, and a very usable small expression pedal.

The thing with the small switches though is that it’s virtually impossible to hit them with your feet while playing. They’re meant for adjustments between songs or something similar.

One interesting thing in this model is that the switch between banks of presets is up and down rather than left and right.

The LCD is closer to the GE200 than it is to the GE300; there is some colour there but the overall layout and look and feel is quite similar to the GE200.

The Mooer GE250 Studio app once again extends the functionality to a PC or Mac via USB connection.

I’m not a fan of doing edits on a small LCD screen, so again ground up patch creation is easier via the Studio app, and further tweaking is probably OK if done directly on the unit while playing.

By the way, increased wow factor here: major improvement on how the studio app looks and feels compared with previous ones!

Mooer GE250 Signal Chain

Mooer GE250 Signal Chain

On the I/O front it has an advantage over the GE200. The effects send and return allows insertion of your own effects in the chain or the use of your own amps via the 4-cable method.

It can also connect to professional PA and monitors via XLR, send or receive MIDI commands, or take a second expression pedal.

Compared with the GE300, it does not have the MIDI return connection, and its send and return channels are both single channel.

Mooer GE250 Back

Mooer GE250 Back

Effects and Presets

Loaded with a plethora of presets, this unit has tones for all tastes: rock, funk, world music, acoustic, you name it.

The list includes classic amps such as Marshall JCM800 and Fender Twin Reverb. Also included are the iconic Ibanez Tubescreamer and a plethora of other effects.

To understand the full list we recommend you go and download the PDF version of their manual. The onscreen names are just too short and sometimes might not entirely give away what the effect or amplifier are.

The presets don’t have the concept of snapshots or scenes. However, they can be tweaked on the fly by using the provided individual effects buttons explained before.

Again, this is not something you can do with your feet while playing, so do prepare your presets in advance and in the order you need them.

As the preset switching is quite fast, albeit not gap free. You can make multiple copies of the presets you need and then save each one with different settings and different effects on and off so you can switch between them as if they were snapshots.

Tone Capture

Tone capture is similar to the GE300, but only the amplifier mode is offered here. The GE 300 had three flavours: guitar, amplifier + stomp box, and IR. At the time of writing this is what was being offered, but it is possible that this will change with future firmware upgrades.

In any case I would say that the vast majority of players will use this to emulate the tones from their favourite amps. Hence the downgrade from GE300 doesn’t really feel like it will be a major issue.

Mooer GE250 Tone Capture

Mooer GE250 Tone Capture

The sound

In conclusion

These are the features that standout on the Mooer GE250:

· Remarkable look and feel and finishing;

· Expression pedal built in, usable and robust;

· Reliable foot-switches;

· Ability to load new amp models and IRs;

· Tone Capture;

· Support for external stomp-boxes and 4-cable method even on a relatively small unit;

· Good overall sound and usability.

There is room for improvement in these areas:

· Snapshots or scenes, it seems that none of the Mooer products have this;

· Support for FRFR speakers via AES/EBU digital links;

· More signal options when connected to a DAW.

While the addition of this model was certainly welcome, it is getting increasingly difficult to tell Mooer products apart.

I imagine that their next step is to improve firmware and add more amps and effects, rather than overcrowding their line-up with further model options.

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